Writing Craft
What Were You Thinking? Showing Thoughts in a Compelling Way
This is a topic I don’t see addressed often, but it’s done wrong so often that it’s become a pet peeve of mine. It’s like a cheese grater on the nerves. Once you see the difference between smooth, essential thoughts and ‘throw away’ thoughts, you won’t be able to unsee them. And that’s a good…
Read MoreAuthorsplaining
We’ve all read it. We’ve all written it. The overexplanation. Even published books are rife with it (though I’ll bet, not many bestsellers are.) Is it small? Subtle? Often. But enough of it sprinkled in your writing will invite skimming. And as Margie Lawson says, skimming is death to a novel. She’s not wrong. But…
Read MoreOne Perfect Line
I’ve said it before – I love words. I love how they swirl together into sentences to form beautiful, horrible or sensual images. I also love my Kindle. I use it almost exclusively, and one of the main reasons is the ability to highlight. When I read an amazing sentence (or two), I highlight them…
Read MoreIntriguing First Lines
I have a thing about first lines. I love reading them, love writing them. I’ve been pulled into a book by just a first line alone. There are many types of first lines: irony, catalyst, comparison, asking a question, dilemma, interesting character, high concept and humor. (if you want to know more about these, I…
Read MoreFirst Page Critique
I’m currently teaching my First Five Pages class at Lawson Writer’s Academy (psst – you can still sign up!) I love helping writers strengthen their all-important openings. Joe Zarek is one of my past students, and has agreed to allow me to share his ‘before and after’ first page. Kudos to him for working so…
Read MoreWhen ‘In Medias Res’ Works, and When it Doesn’t
You may have heard conventional writer wisdom dissing action beginnings: car crashes, police chases – everything bad happening at the opening, right up to and including Armageddon. I’m not here to do that. I mean, think about it. Thousands of movies start that way, right? Remember though, movies are visual storytelling. They are usually faster-paced…
Read More‘Meaty’ Stories, and How to Write One
I watched The Dig on Netflix last night, after several writer friends told me it was good. It was, and it got me thinking about stories that you think are about one thing, but are really about something else. Spoiler alert – I will tell the ending! If you haven’t seen it, here’s the trailer:…
Read MoreTrust Your Voice
In 2004, Christopher Booker published The Seven Basic Plots. There have been others who’ve put forth other numbers, but let’s just agree; whether it’s six, seven, or twenty, it means that your plot isn’t going to be unique. So what’s the use of slaving away, if someone has already written your story? Ah, but they…
Read MoreBackstory – Done Right
Okay, I’m finally digging myself out of the butt-high pile of boxes – I should be back with a regular blog next week. In the meantime, here’s another edition of The Write Stuff: What do you think? Can you give us an example of backstory done right from a book or a movie?
Read MoreBE the Dude
I am butt-deep in packing paper and tripping over boxes from my move, so this week I’m dishing up another of my ‘Write Stuff’ videos: What do you think? Any other tips for us on how to be in the character’s head?
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